Author: Bihar Say | Amrita | The Untold Story of Ancient Bihar: A Shiv-Parvati Wedding Frozen in Time Bihar, the land of ancient heritage, has once again unveiled
The Untold Story of Ancient Bihar: A Shiv-Parvati Wedding Frozen in Time
Bihar, the land of ancient heritage, has once again unveiled a rare archaeological marvel— a terracotta sculpture depicting the divine wedding of Lord Shiva and Goddess Parvati. This exquisite piece, discovered in Chausa Garh, Buxar, dates back to the Gupta period (4th-5th century).
Among the numerous ancient sculptures found in Bihar, those associated with Lord Shiva and Goddess Parvati stand out. However, the Kalyaan Sundar sculpture from Chausa Garh is unique. It intricately captures the divine wedding ceremony, an artistic representation rarely seen in terracotta.
This sculpture narrates a celestial tale— Lord Brahma officiating the wedding rituals while Lord Vishnu, depicted in a rare posture, performs the Kanyadaan (the ritual of giving away the bride). Unlike many traditional sculptures where Lord Vishnu is accompanied by Goddess Lakshmi, this one solely focuses on his pivotal role in the marriage of Shiva and Parvati.
According to Dr. Shiv Kumar Mishra, a renowned sculpture expert, this terracotta idol is the oldest of its kind. It stands out as most previously discovered idols are stone-carved.
The intricate details are mesmerizing— Lord Shiva is depicted in Tribhanga Mudra, gracefully holding Goddess Parvati’s hand. She, adorned with stunning ornaments, mirrors his stance, creating an artistic symmetry that breathes life into this ancient relic.
Parvati’s jewelry—a thick necklace, armlets, and waistbands—illustrates the finesse of Gupta-era craftsmanship. Meanwhile, Lord Shiva’s firm yet elegant stance highlights his divine authority. The sacred fire, an essential part of Hindu wedding rituals, is also visible, making this sculpture a rare treasure.
The discovery at Chausa Garh isn’t isolated. Similar depictions have been found at Murli Pahad in Bhagalpur, Sultanpur, and various sites in Darbhanga and Nawada museums. The presence of such sculptures across Bihar indicates the region’s deep connection to Shaivism and its cultural significance in ancient times.
Experts suggest that sculptures of this theme exist in Ellora Caves, Maharashtra. However, the Chausa Garh sculpture’s terracotta medium makes it stand apart, emphasizing Bihar’s distinct artistic heritage.
With each discovery, Bihar cements its status as a treasure trove of ancient art and history. These sculptures aren’t just relics; they are visual narratives of our glorious past, waiting to be explored.
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